Four Cards, One Forest: The Eevee Art of Gem Pack Vol. 2

A Leafeon rests across a branch. A Sylveon moves through a flower-filled clearing. An Umbreon curls up beside a tree, while an Eevee sits among yellow flowers, looking straight out of the picture. Each card gives you a small scene to enjoy. Put the four together, and the forest begins to make sense as a whole.

These are the connected illustration cards from Gem Pack Vol. 2 (CBB2C), the Simplified Chinese Pokémon TCG release launched on May 16, 2025. All four carry the illustrator credit HYOGONOSUKE. Their appeal comes from the way one artist gives four familiar Pokémon distinct personalities while keeping them inside a shared landscape.

For a closer look, start by placing them in their intended order. Then follow the light, the water and the Pokémon themselves from one card to the next.

The forest sequence runs from left to right: Leafeon → Sylveon → Umbreon → Eevee.

The four cards and their correct order

Position	Pokémon	Printed card identifier	Detail to look for
1 — far left	Leafeon	CBB2C 07 15/15	Its relaxed pose across the branch
2	Sylveon	CBB2C 09 15/15	Ribbons and petals carrying movement through the clearing
3	Umbreon	CBB2C 06 15/15	Its dark silhouette resting against the sunlit tree
4 — far right	Eevee	CBB2C 01 15/15	The front-facing expression framed by yellow flowers

Keep the two-digit group number when making a checklist. All four end in 15/15, so that fraction alone cannot identify the card. Our complete CBB2C card list uses compact identifiers such as CBB2C-0715 for Leafeon and CBB2C-0115 for Eevee.

Leafeon: a place to pause before entering the picture

Leafeon's branch gives the left side of the panorama a strong horizontal line. Its body follows that line, with its legs hanging loosely below. The pose feels comfortable: this looks like a familiar resting place.

Look at how the leaf-shaped ears and tail sit among the surrounding foliage. Their shapes belong naturally in the woodland, while the pale body remains easy to pick out. That balance makes Leafeon feel part of the habitat without disappearing into it.

The branch also changes your viewing height. You begin above the ground, looking past Leafeon toward the open space beyond. When you move to Sylveon's card, the scene drops into the clearing. I read this as an inviting opening to the sequence: somewhere to pause, then somewhere to explore.

Sylveon: movement through the clearing

Sylveon brings a different energy. Its lifted feet, trailing ribbons and open expression make this panel feel lively, even though the setting remains gentle. The pink accents stand out against the greens and blues, giving your eye a clear subject to follow.

The ribbons are especially worth studying. They extend the gesture of the body into the surrounding space, so the movement feels larger than the Pokémon's silhouette. Scattered petals repeat the pink elsewhere in the frame and help spread that sense of motion across the clearing.

There is room around Sylveon, too. The sky and distant landscape keep this part of the forest open. Beside the more enclosed Umbreon panel, that openness gives the complete arrangement a pleasing change of pace.

Umbreon: the quiet centre of the forest

Umbreon is the card I would spend the longest looking at. The scene places its curled body at the base of a substantial tree, with warm light falling across the trunk and grass. Its black shape creates a strong focal point among the soft greens and yellows.

That contrast works at two distances. From across a desk, you notice the dark silhouette and yellow rings. Up close, the tucked posture makes the picture feel intimate. The large tree provides a sense of shelter without needing another character or a dramatic event.

The daylight is part of its charm. Here, Umbreon's dark colouring participates in a bright woodland palette. After Sylveon's movement, the resting pose slows the sequence down. For me, this is the panel that gives the whole panorama its restful mood.

Eevee: the face that brings you into the scene

Eevee sits among yellow flowers with an open mouth, bright eyes and ears spread wide. The front-facing pose creates a direct connection with the viewer. After watching the other Pokémon occupy different parts of the forest, you reach one that seems to have noticed you.

The cream neck ruff helps separate Eevee's face from the warm brown body and green surroundings. Yellow flowers gather around the lower half of the figure, while the brighter background leaves space around the ears. Those choices keep the expression readable even at card size.

As the final panel, it feels like a friendly ending. It also works well as a single-card starting point: the composition has its own clear subject and emotional character, even before the other three cards arrive beside it.

What changes when you see the whole forest?

Try covering the card names for a moment and following the landscape. Pale blue water, flowers, drifting petals and alternating patches of light carry your attention across the arrangement. The shared palette holds the panels together, while the poses keep them from feeling repetitive.

I read the sequence as four changes in tempo: perching, moving, resting, greeting. That is an interpretation of the pictures, rather than a stated plot, but it offers a useful way to look at them. Each Pokémon contributes something the others do not.

A single card lets you concentrate on a character. The quartet invites you to notice the spaces between characters: the open clearing beside the tree, the foreground water, and the transition from cool blue-green shade into yellow light. Those quieter areas are what make the forest feel like a place.

Give the panorama enough room

For display, choose a row that can hold four portrait cards side by side. A binder page with four pockets across, or a suitable four-card display, preserves the intended order. A conventional nine-pocket page gives you only three positions per row and breaks the sequence at a page row boundary.

A two-by-two arrangement can still make an attractive group, but you lose the long horizontal reading. If that format suits your collection better, keep a note of the original order so you can lay the four out together whenever you want to study the landscape.

Use matching sleeves or holders if you want the artwork to remain the focus. Small, consistent gaps make it easier to follow the scene. Keep the full cards visible: their silver borders and printed text remain part of the objects you are displaying, even when you are enjoying the larger picture.

Choose a collecting goal you can finish

The four-card panorama makes a satisfying, clearly defined project. You can start with the expression or pose you enjoy most, then add the neighbouring panels. A checklist containing the full identifiers above helps keep the goal precise.

You could also build outward from one card. Leafeon suggests a page of Pokémon resting in trees; Sylveon could anchor a page about movement; Umbreon suits a collection of quiet woodland scenes. These are useful themes because they give you something specific to look for when browsing unfamiliar cards.

Gem Pack Vol. 2 packs contain random cards, so collecting the pictured quartet and opening packs are different routes with different levels of control over the result. If completing this exact picture is your aim, identifying the four individual cards is the practical first step.

The detail I keep returning to is Umbreon under the tree, between Sylveon's movement and Eevee's greeting. Place all four together, leave them on the desk for a moment, and see which part of the forest draws your eye first.